All For One : Season 2

Dorothy talks about her friends. My Favourite is very proud of the nap she took. Blue Eyes leaves her textbook in the bathroom. The Lady Knight is out of sorts. A party begins.

True friendship cannot be defined, limited or contained by time or space. Joy is joy, and opens like a flower to embrace those who will embrace it. Unanswered questions linger at the edges of all relationships, buzzing with tensions that threaten to turn from subtle to catastrophic. Romance is a beautiful rose with terrible thorns.

Dorothy tries to share the joys of fuzzy peaches and popcorn with her close friends High Voice and Low Voice. The Tall One has forgotten something. There is an argument about hashtags.

Two can, somehow, be the loneliest number, when the one most wanted is not within the current party. Two can also be the loneliest number when the one most wanted does not reciprocate feelings long-cherished which, despite torrents of bad history, remain undoused. Opportunity sometimes knocks at inopportune moments, challenging the tenuous peace of the status quo. Names are important to remember, if one's job is to describe plots concerning those with names.

Dorothy and her Elegant Friend complain about themselves and each other and everyone else. Dorothy forgets her speech upstairs. Elegant Friend doesn't have any news. The Lady Knight arrives in a strong fashion. A different Episode Description Writer, one who has never used names at all in xir descriptions, lobs hypocritical criticism at a colleague and faces no consequences except being unmasked as an ungracious fart.

Two colleagues are forced into the same space and come to insurmountable conflict that batters like a wrinkled leaf in the wind, while working together on the same Episode Description. Meanwhile, Dorothy and the Lady Knight have an odd conversation. It was only odd to those of us who can't understand the careful entangling of loyalty and disloyalty, and the breathless falling and flying that accompanies terrible and wonderful revelations about those to whom we have entrusted aforementioned loyal

Cool Episode Description Writer and Pain In The Butt Description Writer decide that it’d be be best to work separately and let you decide whose style is clearly better. The path forward is often foggy, but those who are brave enough to shine their own light will discover the true emotion lying in wait beneath the text. Dorothy continues to motivate. Blue Eyes is the blue curtain master. Tall One uses many props. High Voice dramatically stands. Insecurities can fester below the surface, threate

According to management, it is unacceptable for Awesome Description Writer and Getting On My Last Nerve Description Writer to double their work by writing two separate descriptions. As this episode graces us like an immaculate butterfly with two distinct scenes, we shall each flap a wing and thus boldly fly through this burden together. In the first scene, an opportunity for frivolity is carved out of the wheel of time that inevitably must turn ever forward. In the next scene, Apparently Not As

Dorothy, Portia, Rochefort, An Wait wait. YOU are using names? Doesn’t that ruin the ephemeral metaphor or whatever? Progress is not inevitable, but must instead smoothly mix constant vigilance with a delicately trained eye for detail and the tiniest dash of humility. Which means…? There is some merit to your methodless madness, for as this episode demonstrates, insight may occasionally burst forth unbidden from the depths of even the gaping mouths of babes. I have no idea if that was a com

The High Voi-, I mean, Portia campaign gets some snazzy new shirts and swanky new digs. And… I suppose there are emotional things too. Like, uh, rushing water that flows over rocks or whatever. There is bravery in putting on a stranger’s perhaps ill-fitting shoes and taking them for a jaunt through untrodden woods. Yeah, yeah. I see your point about putting emotion into summaries, just don’t make a big deal of it. It is, however, a long journey from the pedestrian comparisons of waters to the

The two campaigns attempt to coexist, surviving their unfortunate circumstance by embarking on separate missions ahead of the forthcoming Presidential debate: for Portia's team, the hunt for the perfect attire, and for Treville's, the plundering of their mental depths to find fresh genius. Portia likes a red dress; Dorothy is a mess; Anne is depressed by their inability to impress. Henry jokes, Treville banters, and Alex pokes at being a ranter. The two sides develop friction, and clash in a wel

Everything is bullshit, so who cares. That's not very professional, my friend. Fine. Connie drinks coffee. Portia wanders off. Dorothy and whatshername... That's awful. What happened to your flow, your rhythms, your ambition! It's as if... As if we never met? Yeah. They wish. They're splitting us back up. We're getting too "involved". "Too informal." What? But that's... I don't understand. Whatever. Who cares. I've got along this fine without friends. I can go back to it. But... I think w

Dorothy edits a campaign video, but she disapproves of the content. The cold war between Portia and Anne escalates. Anne gives Dorothy an eye cream. What. You don't like it? No, it's good. You hit all the plot points. Maybe you don't need me. Told you. Okay. Fine. Fine.

The fate of a glorious party balances tenuously on the fine tip of Dorothy's moral compass. A series of concerned mentors guide her not toward the right goal, but backward and forward, leaving her torn and confused. In the end, the truth - long withheld - will rip away Dorothy's doubt and send her careening towards a well-intended disaster. My......... friend, yes he is still my friend, even if he thinks I am not his. My friend has gone out walking. He's been doing that... more and more. Someti

The Portia campaign scrambles to figure out next steps after a massive setback. There. I'm going for a walk. But… But what? It's so short. And... Our reassignment is soon. Maybe we should talk. We should get used to spending time away from each other again, T. Maybe it'll be a relief. To get some space. You don't mean that-- He's gone. Again. I just... I can feel his anger in my throat like acid bile, biting and burning to the touch. His absence chills like a sunless moon. Echoes like a c

Dorothy and Henry reconnect, and it's... nice, but bittersweet, after all the time they've lost. They've been so angry for so long. Treville too. And Anne and Portia... This is relatable content and I'm not here for it. Why do we push people away when we care about them? Just because it will hurt when they leave us? I've been imagining what it would be like if I could change things. If I could somehow... go back in time and prevent everything from going wrong. Like in that H.G. Wells story. But

A confrontation over a big surprise explodes simmering tensions in the Portia campaign. And nobody is left unscathed. Today's our last day, T. One more episode description, and then... back to separate offices. Separate buildings. Floating out in the obsidian void, as you might say. I like that turn of phrase... Grumpy Voice. Oh, you finally figured out nicknames! I mean. Good for you. Can we just... be friends, for the next few hours? Even if we can't see each other after today? Isn't it be

Okay. Wow. This one is... Dorothy and Connie have a big fight, and it's awful and nobody is right and it's gonna make both of them very lonely. Yes, but they'll find their way back to each other. You don't know that. What if the distance is too much? What if they never see each other again?? They live together. They'll see each other in a few hours. That's not what I'm really talking about and you know it. I wish we could do something. Nothing lasts forever, my friend. We'll see each other

Things are weird between Dorothy and Connie after their fight. (What are you doing, Other Me?) Dorothy attempts a romantic surprise. (Why are you writing an Episode Description when we have a friend to rescue!) Dorothy has an unexpected heart to heart with Henry and the Inseparables. (Operation WELLS cannot wait forever! T cannot wait forever!) Okay, okay. If I don’t do an episode description, my bosses will notice, and they will look and see you’re here, and then... I don’t know what will happ

Oh no. Who is this guy? I don’t like him. Alex doesn’t like him. He’s too jittery and there seems to be a lot of backstory here. (There is. He is a villain and a scoundrel.) Hm. Now he seems sad and overcaffeinated. Anyhow, this guy comes to talk to Dorothy, and ends up talking to Alex and making everything terrible. I hope you aren’t coming back and making everything terrible, Time Traveler Me. (I hope so too, Other Me.) How do we go about saving T? Can we use your time machine? (Perhaps, if I

Dorothy comes face to face with Coffee Man. Coffee Man leaves. Dorothy and Alex have an important talk about sadness. I... I don’t want Alex to be sad. Or Dorothy. I want them to be okay. I’m so happy they have each other. Friends make everything so much more bearable. (That is true, Other Me.) I miss T. Xir words, in all their flow, were such a comfort once I got used to them. Like a ripple on a spring pond, or something. (I also miss T. Xir was my best friend. Until xir was reassigned.) So,

Alex and Connie have a lovely morning. Dorothy receives an unexpected visit from an old friend, who reveals something worrisome. Thankfully, Coffee Man is not in this episode. I don’t trust him, even though he seems to be trying to be better. (Are you done? Can we debrief about our caper now?) You mean the caper where EVERYTHING WENT WRONG? (Calm down. It worked out. We got the coordinates!) Technically, we got ALL the coordinates, for EVERYONE. And no names. USELESS. (Don’t despair, Other Me.

Dorothy, Henry and Rochefort stage an intervention. Alright, are you sure you’ve figured out the right coordinates? (Yes! T’s Episode Description Writer # is still 202020, yes?) That’s where xir’s nickname came from, yes. (Then I think I’ve broken through the cipher and have located their new assignment. Xir has been assigned to a series that hasn’t even been conceived yet.) Sounds boring. (Sounds like xir is in the future! Which means my machine can take us there!) Oh, excellent! Then let us..

Dorothy and Monty bond and Dorothy and Connie talk about important things. (You’re STILL writing Episode Descriptions!?) It’s my JOB now we have to hide and be very, very quiet. The Bosses are here but they are very tall and might not notice us. (You have to come to my machine. Quickly!) I’m coming. I just... I can hear them but I can’t... see... them... THEY’RE RIGHT ABOVE ME OH GODS I NEED TO RUN AND THEY ARE RIGH (Other Me?? Come quickly!! Please!! Other Me??) THEY HAVE ME, GO ON, SAVE

There is no Active Episode Descriptioner assigned to this episode, so one will be generated automatically by the Descriptor Corp Auto-System. In this episode, DOROTHY is excited to work on the campaign with CONNIE and MONTY. ROCHEFORT warns both teams that there are consequences for PORTIA and TREVILLE's negative PR campaigns. PORTIA, TREVILLE, DOROTHY and HENRY are discouraged. Both teams decide to work together to fix the problem. This has been an auto-generated Episode Description by Descript