On a New York City subway, two young punks, Artie Connors (Martin Sheen) and Joe Ferrone (Tony Musante), take control of a car filled with passengers. Among other people, the train includes military officer Felix Teflinger (Beau Bridges) and tough-talking Bill Wilks (Ed McMahon), as well as quiet Jewish man Sam Beckerman (Jack Gilford), and his wife, Bertha (Thelma Ritter). As the hostage situation stretches out, things become increasingly tense for everyone confined to the subway car.

هاوشێوەی دوازدە پیاوە تووڕەکەیە، کێشەیەک بە یەکترییەوە دەیانبەستێتەوە و گۆڕانکاریی لە ژیانیاندا دەهێنێتە ئاراوە.

پێدەچێت ئەمە یەکێک بێت لەو فیلمە کلاسیکییە کۆمەڵایەتییانەی کە بە باشیان دەزانم.

THE LAST GREAT CLIMB from Alastair Lee, is an epic to end all mountain epics, set in the stunning mountains of Queen Maud Land, Antarctica. The 2013 documentary film follows top adventure climber Leo Houlding with his tried and tested team of Jason Pickles and Sean 'Stanley' Leary as they attempted to make the first ascent of the NE ridge of 'the master piece of the range' - the majestic 'Ulvetanna Peak' (2931m), Queen Maud Land, Antarctica. One of the most technically demanding climbs in the world's harshest environment.

Lothar Schramm is a polite, neighborly cab driver who makes an honest living and invites callers in for cognac. Later on, he might slit their throats and assemble their bodies in suggestive poses. He lives next door to a young, beautiful prostitute named Marianne, with whom he is smitten. Schramm is lonely. His sex life is seriously deranged and his social life is nonexistent. He makes love to inflatable plastic dolls, fantasizes about vaginas with teeth, nails his foreskin to tables and dreams of a visit to the dentist who extracts him an eyeball. He has constant flashbacks and paranoid delusions of his knee getting amputated. He whitewashes bloodstains off the walls of his flat. When Marianne is invited by some affluent gentlemen clients to a villa outside of town, she asks Schramm to chauffeur her so she'll be safe. He accepts and he invites her to a friendly dinner, ignoring his desire for her. He takes her back to his flat, where he drugs her and strips her. He snaps photos and masturbates spitefully over her naked body. The next day Marianne rings at his door for a lift, but Schramm does not answer. He has fallen from a ladder while painting over the blood on his walls. His head has cracked on the floor. The next thing we see is Marianne in the villa outside of town, attired like a Hitler Youth, bound and gagged on a chair, helpless victim to her eccentric clients.

Papers declare the 'Lonesome Death of Lipstick Killer.'

لۆتاغ شغام کە لە خوێناوی خۆیدا گیاندەدات، یادەوەرییە ترسێنەر و ئازاربەخشەکانی ژیانە بێواتاکەی خۆی بیردەکەوێتەوە. کۆی بیرکردنەوەکە وەک یادەوەریی: ئاوڕدانەوە و بینینەوەی ژیانێکی پارانۆیا و ئازاردانی خود و ڕەتکردنەوەیە. تێڕووانینێکی تراجیدییە بۆ ژیان و شێوازی بیرکردنەوەی بکوژێکی زنجیرەیی.

قێزەونە و لە بینینی ئاگادار بن.

| شغام – ١٩٩٣
یۆرگ بەتگیغێت
٦٩٥ | ٦.٥/١٠

Pathology is a 2008 crime-horror film directed by Marc Schölermann, written by Mark Neveldine and Brian Taylor, and starring Milo Ventimiglia, Alyssa Milano, and Lauren Lee Smith. The film premiered April 11, 2008 in the United Kingdom and opened in limited release in the United States on April 18, 2008

پاش ئەوەی دۆکتۆر گرەی لە مەڵبەندێکی نوێ بۆ (توێکاریی مردووان) توشی گەورەترین ڕووداوی ژیانی دەبێت، دەکەوێتە بەردەم دوو هەڵبژاردەی: بوون بە باشترین دۆکتۆری توێکاریی یاخود بکوژێکی پێرفێکت.

فیلمێکی خوێناویی و بۆ زۆرێک لە بینەران قێزەونە. لە بینینی ئاگاداربن.

| نەخۆشی-ناسیی – ٢٠٠٨
مارک شۆیلەرمان
٦٩٤ | ٨/١٠

https://www.mymovierack.com/sha.shewakar

A look at the Deepwater Horizon oil rig explosion through the eyes of those who experienced it first-hand and were then left to pick up the pieces, featuring oil executives, survivors and Gulf Coast residents.


لە بیستەم ڕۆژی مانگی چواری ٢٠١٠، کونکەر و بەرزکەرەوەی نەوتی (Deepwater Horizon) لە کەنداوی مەکسیک تەقییەوە. بەهۆیەوە یازدە کەس کوژران و گەورەترین ڕژانی نەوت ڕوویدا لە مێژووی ویلایەتە یەکگرتووەکانی ئەمێریکادا.

ئەم دۆکیۆمێنتارییە، باسی ڕوودانی ڕووداوەکە و قوربانییان و ئەو کاریگەرییە دەکات کە تەقینەوەکە لەسەر جووڵەی ئابووری و ژیانی خەڵک و بازرگانیی خواردنە دەریاییەکان دروستی کرد.

| نادیارە مەزنەکە – ٢٠١٤
مارگرێت براون
٦٩٣ | ٧/١٠

Free Solo is a 2018 American documentary film directed by Elizabeth Chai Vasarhelyi and Jimmy Chin that profiles rock climber Alex Honnold on his quest to perform a free solo climb of El Capitan in June 2017.

The film premiered at the Telluride Film Festival on August 31, 2018, and also screened at the 2018 Toronto International Film Festival, where it won the People's Choice Award in the Documentaries category. It was released in the United States on September 28, 2018, where it received positive reviews from critics and grossed over $21 million. The film received numerous accolades, including winning Best Documentary Feature at the 91st Academy Awards.

The film devotes some time to documenting its own production process, with director Jimmy Chin and his camera crew (all experienced climbers themselves) discussing the challenge of not endangering climber Alex Honnold by distracting him or pressuring him to attempt the climb at all. According to director Elizabeth Chai Vasarhelyi, this was solved with a lot of practice. To record sound from Honnold, who was often too far from the cameras to use a wireless microphone, a special recording device was devised that was carried by Honnold inside his chalk bag.

The film was made by National Geographic Partners, which at the time of the film's release was majority-owned by 21st Century Fox, with the remainder owned by the National Geographic Society.

ئەمە لەو چەشنە دۆکیۆمێنتارییانەیە کە واتلێدەکەن بتەوێت بگریت
| لەگەڵ بینینیدا چرکە دوای چرکە دڵت خێراتر و قاچەکانت خلیسک دەبن

بەردەوانی پرۆفێشیوناڵ (ئالێکس هۆنۆڵد) هەوڵی هەڵزنان بەسەر (El Capitan) دەدات بەشێوەی (Free Solo) بە بەرزیی ٩٠٠ مەتر. ئیل کاپیتان پارچەیەکی بەردینی زەبەلاحە لە پارکی نەتەوەیی یوزمیت، بەرزییەکەی نزیکی ٩٠٠ مەترە و بەشێوەیەکی تەواو ستوونیی پێکهاتووە. ئالێکس دوای چەندین سەرکەوتن بەهۆی حەبل و ئامڕازی تایبەتییەوە بەسەر ئیل کاپیتاندا، لە کۆتاییدا بڕیار دەدات بەبێ هیچ یارمەتیی و حەبل و هۆکارێکی سەلامەتیی بەسەر ئەو پارچە بەردە زەبەلاحەدا سەرکەوێت.

ئەوەی لێرەدا دەیبینین، تەنها سەرکەوتن نییە بەسەر پارچەیەکی زەبەلاح لە بەردێکی چیائاسادا. بەڵکو سەرکەوتنە بەسەر ترس، هەستە سۆزدارییەکاندا، لەبیربردنەوەی هەر کاریگەرییەکی دەرەکییە کە وا دەکەن کەسێک توانای ئەنجامدانی کارە سەخت و زەحمەتەکان لەدەست بدات.

- بیر لە مەدالیایەکی ئاڵتوونیی ئۆڵۆمپیی بکەرەوە، کە دەدرێت بە کەسانی وەرزشوانی سەرکەوتوو کە گەیشتوون بە ئەنجامێکی بەرز. گەر نەگەیت بەو مەدالیا ئاڵتوونییە، دەمریت. زۆر بەجوانیی ئەمە دەربارەی سەرکەوتنە بەسەر ئیل کاپیتاندا بەشێوەیەکی ئازادانە. تۆ پێویستە بە پێرفێکتیی/تەواویی ئەنجامی بدەیت.

- بۆ ئەوەی بەو ئاستە بەرزە سەرکەوتنی ئازاد ئەنجام بدەیت، پێویستە قەڵغانێکی دەروونییت هەبێت. بوونی پەیوەندییەکی سۆزدارییانە زەرەر بەو قەڵغانە دەگەیەنێت. پێویستە سەرنجی ورد بدەیت، بوونی پەیوەندییەکی سۆزدارییانەی نزیک و بەهێز ئەو قەڵغانە لادەبات. تۆ ناتوانیت لە هەمان کاتدا قەڵغانە دەروونییەکەت هەبێت و لە پەیوەندییەکی سۆزدارییانەی نزیکدا بیت.

- هەموو کەسێک دەتوانێت دڵخۆش و ئارام بێت. هیچ شتێکی باش لە جیهاندا ڕوونادات بە دڵخۆش بوون و ئارام بوون. دەزانیت، هیچ کەس هیچ شتێکی مەزن بەدەست ناهێنێت تەنها لەبەر ئەوەی دڵخۆش و ئارامە.

یەکێک لە سەرنجڕاکێشترین و تۆقێنەرترین دیمەنەکانی نێو دۆکیۆمێنتارییەکە، ئەو ساتەیە کە ئالێکس دەگات بە کامێرایەکی جێگیر و خەندەی بۆ دەکات! وەک بڵێی لە جێگەیەکی تەواو پارێزراو و بێ مەترسییە... ئالێکس بەتەواویی ئەو کارەی کە دەیکات خولیایەتی و خۆشیدەوێت، هەربۆیە هێشتا کە چەند مەترسیی و هەڵزنان و سەرکەوتنێکی مەترسیداری ماوە، ئەو هێشتا پێدەکەنێت و دەروونی تەواو کۆنکرێتیی و ڕوون و بێخەوشە.

پێویستە بیبینن!.

| هەڵزنانی ئازاد – ٢٠١٨
جیمی چین، ئیلیزابێث چای ڤاسارهێلی
٦٩٢ | ٨.٥/١٠

Fantasia is a 1940 American animated film produced by Walt Disney and released by Walt Disney Productions. With story direction by Joe Grant and Dick Huemer, and production supervision by Ben Sharpsteen, it is the third Disney animated feature film. The film consists of eight animated segments set to pieces of classical music conducted by Leopold Stokowski, seven of which are performed by the Philadelphia Orchestra. Music critic and composer Deems Taylor acts as the film's Master of Ceremonies, providing a live-action introduction to each animated segment.

Disney settled on the film's concept in 1938 as work neared completion on The Sorcerer's Apprentice, an elaborate Silly Symphonies short designed as a comeback role for Mickey Mouse, who had declined in popularity. As production costs grew higher than what it could earn, Disney decided to include the short in a feature-length film with other segments set to classical pieces. The soundtrack was recorded using multiple audio channels and reproduced with Fantasound, a pioneering sound reproduction system that made Fantasia the first commercial film shown in stereophonic sound.

Fantasia was first released as a theatrical roadshow held in thirteen U.S. cities from November 13, 1940. While acclaimed by critics, it was unable to make a profit due to World War II cutting off distribution to the European market, the film's high production costs, and the expense of leasing theatres and installing the Fantasound equipment for the roadshow presentations. The film was subsequently reissued multiple times with its original footage and audio being deleted, modified, or restored in each version. Fantasia is the 23rd highest-grossing film of all time in the U.S. when adjusted for inflation. The Fantasia franchise has grown to include video games, Disneyland attractions, and a live concert series. A sequel, Fantasia 2000, co-produced by Roy E. Disney, was released in 1999. Fantasia has grown in reputation over the years and is now widely acclaimed; in 1998 the American Film Institute ranked it as the 58th greatest American film in their 100 Years...100 Movies and the fifth greatest animated film in their 10 Top 10 list. In 1990, Fantasia was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

گەر ناونیشانەکەی وێنەدانەوەی ڕەگی چەمکەکەی بێت، فانتەیزیا کۆمەڵێک هەستی ئاوازداڕێژەرییانە و هونەرییە کە تاکی هونەرمەند لە ماوەی پێرفۆرمانسە مۆسیقییەکاندا وێنایان دەکات و بە چاوێکی نوقاوەوە دەیانبینێت. فانتەیزیا سێیەمین فیچەر فیلمی وێنەی جووڵاوی دیزنیە. فیلمەکە لە هەشت پارچەی سەربەخۆ پێکهاتووە، کە هەر پارچەیەک لەوانە بە کۆندەکت و مۆسیقای تایبەت بە خۆیان دامەزراون و وێنای چیرۆک و هەستەکان دەکەن. هەر هەشت پارچە مۆسیقییەکان لەلایەن (Leopold Stokowski)ەوە کۆندەکت کراون و حەوت لەوانەیش لەلایەن (ئۆکێسترای فیلادێڵفیا)وە ژەنراون.

| هەشت پارچە سەربەخۆیەکە بەم شێوەیە دابەش کراون:

یەکەم: Toccata and Fugue in D Minor
دووەم: The Nutcracker Suite
سێیەم: The Sorcerer's Apprentice
چوارەم: Rite of Spring
پێنجەم: The Pastoral Symphony
شەشەم: Dance of the Hours
حەوتەم و هەشتەم: Night on Bald Mountain and Ave Maria

ئەم فیلمە بەهۆی بوونی کۆمەڵێک پارچەی مۆسیقیی کلاسیکیی لەوانە پارچەی ئاوزداڕێژەرەکانی وەک (بیتهەوڤن، شوبێرت، باخ و مەسۆرسکی)، وێنەی جوڵاوی ڕەنگدار و سەرنجڕاکێش، چیرۆکی ناوازە و وێناکردنەوەی داهێنەرانە: دەکرێت هەموو تەمەنەکان بینەری بن.

لەڕاستییدا پێموایە ئەم فیچەر فیلمە زۆر گرنگە بۆ گەشە و هێزی سەماعیی و فێربوونی هێماناسیی، بەتایبەتیی بۆ سەرەتای منداڵیی.

بیبینن!.

| فانتەیزیا – ١٩٤٠
ویڵفرێد جاکسۆن، هامیڵتۆن لوسک، بێن شارپستن و زۆرێک دەرهێنەری دیکە
٦٩١ | ١٠/٩

12 Strong (also known as 12 Strong: The Declassified True Story of the Horse Soldiers) is a 2018 American action war drama film directed by Nicolai Fuglsig and written by Ted Tally and Peter Craig. The film is based on Doug Stanton's non-fiction book Horse Soldiers, which tells the story of U.S. Army Special Forces sent to Afghanistan immediately after the September 11 attacks. The film stars Chris Hemsworth, Michael Shannon, Michael Peña, Navid Negahban, Trevante Rhodes, Geoff Stults, Thad Luckinbill, William Fichtner, and Rob Riggle.

Principal photography began in January 2017 in New Mexico. The film was released in the United States on January 19, 2018 by Warner Bros. Pictures, in standard and IMAX theaters. It received mixed reviews from critics, who praised the cast and action but criticized the by-the-numbers execution and lack of hindsight of the War in Afghanistan

تاکە پرسێک ئەم فیلمە سەرنجڕاکێش بکات ئەوەیە لە ئۆپرەیشنێکی سەربازیی نهێنیی ڕاستەقینەوە وەرگیراوە وەک وەڵامدانەوە (تۆڵە سەندنەوە) ی ڕووداوی یازدەی سێپتێمبەر. ئۆپرەیشنەکە لەژێر ناوی (ODA 595) بەڕێوە چووە. بە یەکێک لە سەرسوڕهێنەرترین دەستکەوت و سەرکەوتنە سەربازییەکانی ئەمێریکا دادەنرێت لە مێژووی خۆیدا، بە هۆکاری ئەوەی تاسک فۆرسەکە بە ئەسپسواریی و لەماوەی تەنها سێ هەفتەدا کاری خۆی بەجێگەیاند کە لە بنەڕەتدا پێشنیار دەکرا دوو ساڵ بخایەنێت.

Earth's International Space Order prepares for its first manned landing on the Moon, with the goal of claiming it as "international territory". The crew of Lunar Eagle 1 comprises 12 people from around the world, 10 men and two women, all scientists with different specialties, accompanied by a small menagerie, including two cats. The spaceship is commanded by American John Anderson (Ken Clark).

Historical and international tensions flare up during the flight. Feodor Orloff (Tom Conway), a Russian, struts about, annoyingly claiming that all scientific advancements were invented by the Soviets. Israeli David Ruskin (Richard Weber) warns Feodor that the USSR would be unwise to attempt to dominate Israel, as it has his native Poland. David admires fellow astronaut Erich Heinrich (John Wengraf), unaware that Erich's father was the Nazi responsible for murdering David's family during the Holocaust.

After a dangerous 27-hour flight, Lunar Eagle 1 lands and the crew begin their exploration of the Moon. Sigrid Bomark (Anna-Lisa) and Selim Hamid (Muzaffer Tema) find an air-filled cave and after shedding their space helmets, they kiss passionately. As they walk hand-in-hand deeper into the cave, its opening is suddenly sealed by impenetrable ice.

The others discover gold and minerals, but when they fire a mortar into a rock formation, liquid begins bubbling out. An excited Feodor rushes over and sticks his hands into the flow, and he is badly burned. On the way back to their spaceship, a crew member sinks to his death in lunar quicksand. John tries unsuccessfully to save him and is almost pulled under.

Inside Lunar Eagle 1, a machine begins printing out hieroglyphics. Surprisingly, Hideko Murata (Michi Kobi) can read them. It is a message from "The Great Coordinator of the Moon", who orders the crew to leave at once. The message also states that the emotionless Moon-beings live underground and fear that the Earthlings will "contaminate our perfect form of harmony". Sigrid and Salim are being studied because the Moon-beings are unfamiliar with "love". They and "all your kind" will be destroyed "if love turns to evil". The Moon-beings also demand that the expedition's cats, brought as an experiment to see if they could procreate on the Moon, be left behind. They find the felines as interesting as people.

Erich has a heart attack during Lunar Eagle 1's blast off. As he babbles on half-conscious, David learns that Erich's father was the Nazi who killed David's family. However, when David learns that Erich has disowned his family and devoted his life to trying to make amends for his father's crimes, they become friends.

Near Earth, the crew witnesses "the big freeze", a gigantic freezing cloud controlled from the Moon, which encases all of Canada, the U.S., and Mexico in thick ice.

John decides to drop "atomic bomblets" into the volcano Popocatepetl in order to trigger a huge eruption to thaw out North America. Etienne Martel (Roger Til) sabotages the bomblets, revealing himself to be a French communist. He assumes that Feodor would also want to keep America frozen in order to advance international communism's quest for world domination. Feodor doesn't. He and Etienne fight, Feodor calls to John for help, and when Etienne unfairly pulls out a knife, John knocks the weapon out of his hand, while knocking him down. Feodor repairs the bomblets.

Erich and David fly a suicide mission to drop the bomblets from their spaceship's smaller space taxi. Popocatepetl erupts and North America begins to thaw. Another message from the Moon says that the Moon-beings now realize that Earthlings are honorable and peaceful, and that the North Americans were put into suspended animation before the big freeze, so no-one has been harmed. Moreover, Earthlings will be welcomed to the Moon whenever they return.

Following the great thaw, Lunar Eagle 1's triumphant crew prepare to land.


پێش ئەوەی بەڕاستیی مرۆڤ بگاتە سەر هەیڤ، ئەم فیلمە هەبووە.