Clearly this film has some bizarre, occasionally artsy French ambitions, kazoo music, octopus ogre, ostriches, toad force-feeding, and all - none of which can justify the outstanding plotholes and ugly design. With a figure and tight clothing like that, the princess is so sexy that even her way of kissing sounds far from family-friendly. And apparently, they already got the English voice director to dub "The Cat", who is anything but a swashbuckler like the poster suggests.

By choosing William Shatner of all people to re-dub this cat and allowing him to add some of the most embarassing ad-libbing and improvisation in the history of English dubbing, sounding like his best impersonation of any man who's ever been given the opportunity to dub a Dingo Pictures cartoon in English with a touch of booze, Phase 4 proves that some films should stay in their own country.

Star Wars: The Force Awakens will be the biggest movie of the 2010's, no doubt. Some pundits have doubts, but others are giddy with excitement. It not only has a good mind behind it, but it refuses to relish in modern technology. People have shed tears from what they've seen so far, and ticket prices promise something that other blockbusters cannot equal. It'll be amazing, they say. Once they see it, there may be no point in seeing any other movie in the future.

And here I am, worshipping Charlie Kaufman's absolutely mind-blowing and emotionally staggering Anomalisa in the same way.

Surprisingly didn't find myself quite as insulted as I was with the first movie, which is weird considering this is Adam Sandler we're talking about. I have a feeling Tartakovsky might have had a little more freedom with this movie, as it's a lot cuter and more innocent than the first, with only a couple of urination jokes that are only a slight deal, so I'm okay with the presence of Nick Offerman and Mel Brooks alongside the Happy Madison bunch this time.

However, every other toilet joke is traded for the typical, bizarre pop culture reference or Sony's classic product placement when all Hotel 1 did was a piss-take on Twilight and a direct mention of The Lion King for no reason. Eh, at least the visuals are more attractive this time and provide a few minor chuckles, though this isn't going to fix SPA's style-over-substance track record, not counting Goosebumps, especially with the typical climax where all good available kicks evil's ass and everybody dances.

Let's just be grateful we don't get to see that damned sponge again.