Alfie is the worst teacher to ever grace the British education system and is a bigger kid than the kids he teaches, but his students at Abbey Grove love him.

28 Weeks Later is a 2007 apocalyptic horror film directed by Juan Carlos Fresnadillo, who co-wrote it with Rowan Joffé, Enrique López-Lavigne, and Jesus Olmo. A sequel to the 2002 film 28 Days Later, it stars Robert Carlyle, Rose Byrne, Jeremy Renner, Harold Perrineau, Catherine McCormack, Imogen Poots, and Idris Elba. It is set after the events of the first film, depicting the efforts of NATO military forces to salvage a safe zone in London, the consequence of two young siblings breaking protocol to find their infected mother, and the resulting reintroduction of the Rage Virus to the safe zone.

28 Weeks Later was released on 11 May 2007, in the United Kingdom by 20th Century Fox and in the United States by Fox Atomic. Like its predecessor, the film received positive reviews from critics, with many praising the performances, atmosphere, and screenplay. It grossed $64 million against a $15 million budget.

لە بەرەنگاریی ڤایرەسی ڕەیجدا. پرسیارەکە ئەوەیە: بڵێی جیاوازییەک هەبێت لەنێوان (ڕەیج ڤایرەس) و (تی ڤایرەس)؟. لێرەدا ئەتوانین ئەم ڤایرەسانەش وەک براند لێکبدەینەوە بۆ کۆمپانیاکانی بەرهەمهێنانی فیلم.

28 Days Later is a 2002 British post-apocalyptic horror film directed by Danny Boyle, written by Alex Garland, and starring Cillian Murphy, Naomie Harris, Christopher Eccleston, Megan Burns, and Brendan Gleeson. The plot depicts the breakdown of society following the accidental release of a highly contagious virus and focuses upon the struggle of four survivors (Murphy, Harris, Burns, and Gleeson) to cope with the destruction of the life they once knew while evading those infected by the virus.

The film received critical acclaim. Many praised the performances, screenplay, atmosphere, and soundtrack. The film is credited with reinvigorating the zombie genre of horror film, as well as increasing the popularity of fast-moving zombies (while Dan O'Bannon's 1985 film The Return of the Living Dead featured the first example of "fast zombies" in cinema, the concept was largely neglected in media until after the release of 28 Days Later). It was also a financial success, grossing more than $82.7 million worldwide on its modest budget of $8 million and becoming one of the most profitable horror films of 2002.

It was followed by a 2007 sequel, 28 Weeks Later, a graphic novel titled 28 Days Later: The Aftermath, which expands on the timeline of the outbreak, and a 2009 comic book series titled 28 Days Later. In 2017 a poll of 150 actors, directors, writers, producers and critics for Time Out magazine ranked it the 97th best British film ever.

هەشت ڕۆژ لەمەوبەر، جەونس دەمانچەکەی خۆی لە دەم نابوو. دەیگوت کە خۆی دەکوژێت چونکە هیچ داهاتوویەک بوونی نییە. دەمتوانی چی پێ بڵێم؟ تووشبووان لەناودەبەین یان چاوەڕێ دەبین تاوەک لە برسا دەمرین... دواتر چی؟ نۆ پیاو چی بکەن جگە لە چاوەڕوانیی گەیشتن بە مردنیان؟ لە بەربەستەکە خۆمانم گواستەوە، پەخشێکی ڕادیۆییم دەستپێکرد، وە بەڵێنی ژنم پێدان. لەبەر ئەوەی ژن واتای داهاتوو دەدات.

- مەیجەر وێست

Daniel has a spiritual awakening while serving his sentence in a youth detention center for second-degree murder, but his criminal background prevents him from pursuing his dream to become a priest once he is released. He is assigned to work in a sawmill in a small town, and while visiting the local church, he pretends to be a priest. The vicar of that church meets Daniel wholly believing his lie, and leaves him in charge of the church while he goes to rehab for an alcohol problem. Daniel begins performing all the duties of priesthood, and enjoys it.

The parishioners enjoy his unorthodox methods, even his unexpected claim from the pulpit to be a murderer, but they have mixed feelings when he starts asking about a recent car accident that caused a lot of trauma in the community. The more time he spends there, he begins to uncover the small town's deep secrets: it's still unclear whether the car crash was actually an accident, but the mayor insists that the issue has been put to bed. The biggest point of contention is whether the driver should be allowed to be buried in the town's cemetery with the other victims. Daniel discovers that after months, the cremated remains still haven't been buried anywhere, and many in the town had sent hateful, threatening letters to the widow. He and his new friend Eliza confront the townspeople about this, showing them the letters with their handwriting, and Daniel decides to go forward with a funeral at the cemetery. Eliza is thrown out of the house by her mother for bringing out the letters, and she asks to stay at the temporary rectory with Daniel; while there, they make love.

During the funeral, many of the townspeople put aside their hate and pay their respects, and at the end of the ceremony, the priest from Daniel's youth detention center arrives, having been tipped off that the town's new priest is an impostor. He tells Daniel to pack his bags immediately, but Daniel sneaks out a window and goes to the church to celebrate his "farewell Mass". During the Mass, he removes his vestment and shirt, showing all his tattoos, and leaves the church. Daniel is sent back to jail where he again has to face the brother of the man he murdered.

Set in the Netherlands in the 17th century, during the period of the tulip mania, Sophia, an orphan, is betrothed to the elderly Cornelis. In return for the marriage, her sisters are able to travel to New Amsterdam (New York) in the new world, where they have an aunt awaiting them.

Three years later, Sophia is unhappy in the marriage, since Cornelis seems to be concerned only with conceiving an heir, to no avail thus far. Cornelis believes this to have something to do with a mistake he made in the past, with his previous wife: she miscarried their first child and when Cornelis asked the doctor to save the second child over the wife, he feels that God punished him by taking both his wife and his child away.

Cornelis decides to hire a painter, so that he could at least be remembered as having had a beautiful young wife, should he have no heir to continue his legacy. Sophia agrees, but as soon as the young painter Jan arrives to paint the couple, he and Sophia fall in love. Jan sends a note to Sophia, asking her to send him a vase with tulips. She shows up at his door with the tulips, and they consummate their love.

Meanwhile, Sophia's friend, the housemaid Maria, is in a courtship with the neighborhood fishmonger, Willem. Willem is speculating in the tulip market, and is doing quite well - expecting to be independently prosperous and able to marry Maria, he even sells his business to another fishmonger. One day, Sophia borrows Maria's cloak and heads to a rendezvous with Jan. Willem, seeing Sophia in the cloak, mistakes her for Maria, and follows her to her rendezvous. Crushed by what he thinks is Maria's unfaithfulness, he goes to a pub to drown his sorrows. There a prostitute robs him of the large sum of money he has built up on the tulip market. When he tries to retrieve the money, he is beaten up and forcibly inducted into the navy for causing a ruckus.

Jan plots to escape to the new world with Sophia, after having success of his own in the tulip speculation market. He hears that the nuns at St. Ursula (the convent Sophia came from) raise tulips in their gardens. Jan attempts to steal some of the bulbs, but is knocked out by the abbess of St. Ursula. When he regains consciousness, he apologises and the abbess gives him the bulbs Willem had bought before he was thrown into the navy.

Maria realizes that she is pregnant with Willem's child. With Willem gone, the baby will be born out of wedlock. Maria explains her condition to Sophia and threatens to reveal Sophia's affair to Cornelis, if Cornelis were to find out about her pregnancy. Sophia conspires with Maria and decides to pass off the pregnancy as her own. When the baby is born, Sophia will pretend to die in childbirth, so she can leave to be with Jan, and Maria will get to raise the child as her own with Cornelis.

After Maria gives birth to a daughter and Sophia pretends to die, Cornelis is griefstricken at the loss of his wife. Sophia, under her shroud, weeps as she realizes that she has deeply hurt Cornelis with her deceit, but eventually realizes that it is too late to undo what she has done. Ashamed of herself, Sophia runs away and Jan is unable to find her.

Willem, returning after his stint in the navy, goes to see Maria at Cornelis's house. Maria is furious at him at first, but they soon reconcile. Cornelis overhears their loud quarreling and the reveal of the conspiracy between Maria, Sophia, and Jan. Cornelis makes his peace with the truth, and departs for the Indies, where he finds love and makes a family, but only after first leaving the house to Maria, Willem, and the baby girl that he loved as his own.

Eight years later, the abbess of St. Ursula visits Jan and views his artwork of Sophia. She praises him for his talent, and commissions him to paint a mural in the church. When Jan looks down from painting the mural, he sees Sophia, who has joined the convent, and they share tender smiles.

Post-WWII Germany: Nearly a decade after his affair with an older woman came to a mysterious end, law student Michael Berg re-encounters his former lover as she defends herself in a war-crime trial.

لەدوای سێیەمین جار بینین، دەتوانیت وریاتر لە گۆشەنیگای ژنێکەوە لەم فیلمە بڕووانیت.

On a New York City subway, two young punks, Artie Connors (Martin Sheen) and Joe Ferrone (Tony Musante), take control of a car filled with passengers. Among other people, the train includes military officer Felix Teflinger (Beau Bridges) and tough-talking Bill Wilks (Ed McMahon), as well as quiet Jewish man Sam Beckerman (Jack Gilford), and his wife, Bertha (Thelma Ritter). As the hostage situation stretches out, things become increasingly tense for everyone confined to the subway car.

هاوشێوەی دوازدە پیاوە تووڕەکەیە، کێشەیەک بە یەکترییەوە دەیانبەستێتەوە و گۆڕانکاریی لە ژیانیاندا دەهێنێتە ئاراوە.

پێدەچێت ئەمە یەکێک بێت لەو فیلمە کلاسیکییە کۆمەڵایەتییانەی کە بە باشیان دەزانم.

THE LAST GREAT CLIMB from Alastair Lee, is an epic to end all mountain epics, set in the stunning mountains of Queen Maud Land, Antarctica. The 2013 documentary film follows top adventure climber Leo Houlding with his tried and tested team of Jason Pickles and Sean 'Stanley' Leary as they attempted to make the first ascent of the NE ridge of 'the master piece of the range' - the majestic 'Ulvetanna Peak' (2931m), Queen Maud Land, Antarctica. One of the most technically demanding climbs in the world's harshest environment.

Lothar Schramm is a polite, neighborly cab driver who makes an honest living and invites callers in for cognac. Later on, he might slit their throats and assemble their bodies in suggestive poses. He lives next door to a young, beautiful prostitute named Marianne, with whom he is smitten. Schramm is lonely. His sex life is seriously deranged and his social life is nonexistent. He makes love to inflatable plastic dolls, fantasizes about vaginas with teeth, nails his foreskin to tables and dreams of a visit to the dentist who extracts him an eyeball. He has constant flashbacks and paranoid delusions of his knee getting amputated. He whitewashes bloodstains off the walls of his flat. When Marianne is invited by some affluent gentlemen clients to a villa outside of town, she asks Schramm to chauffeur her so she'll be safe. He accepts and he invites her to a friendly dinner, ignoring his desire for her. He takes her back to his flat, where he drugs her and strips her. He snaps photos and masturbates spitefully over her naked body. The next day Marianne rings at his door for a lift, but Schramm does not answer. He has fallen from a ladder while painting over the blood on his walls. His head has cracked on the floor. The next thing we see is Marianne in the villa outside of town, attired like a Hitler Youth, bound and gagged on a chair, helpless victim to her eccentric clients.

Papers declare the 'Lonesome Death of Lipstick Killer.'

لۆتاغ شغام کە لە خوێناوی خۆیدا گیاندەدات، یادەوەرییە ترسێنەر و ئازاربەخشەکانی ژیانە بێواتاکەی خۆی بیردەکەوێتەوە. کۆی بیرکردنەوەکە وەک یادەوەریی: ئاوڕدانەوە و بینینەوەی ژیانێکی پارانۆیا و ئازاردانی خود و ڕەتکردنەوەیە. تێڕووانینێکی تراجیدییە بۆ ژیان و شێوازی بیرکردنەوەی بکوژێکی زنجیرەیی.

قێزەونە و لە بینینی ئاگادار بن.

| شغام – ١٩٩٣
یۆرگ بەتگیغێت
٦٩٥ | ٦.٥/١٠

Pathology is a 2008 crime-horror film directed by Marc Schölermann, written by Mark Neveldine and Brian Taylor, and starring Milo Ventimiglia, Alyssa Milano, and Lauren Lee Smith. The film premiered April 11, 2008 in the United Kingdom and opened in limited release in the United States on April 18, 2008

پاش ئەوەی دۆکتۆر گرەی لە مەڵبەندێکی نوێ بۆ (توێکاریی مردووان) توشی گەورەترین ڕووداوی ژیانی دەبێت، دەکەوێتە بەردەم دوو هەڵبژاردەی: بوون بە باشترین دۆکتۆری توێکاریی یاخود بکوژێکی پێرفێکت.

فیلمێکی خوێناویی و بۆ زۆرێک لە بینەران قێزەونە. لە بینینی ئاگاداربن.

| نەخۆشی-ناسیی – ٢٠٠٨
مارک شۆیلەرمان
٦٩٤ | ٨/١٠

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