Homicide: Life on the Street : Season 1

Lewis and Crosetti uncover a woman who's been killing her husbands for insurance money. Howard tries to keep her cases-solved record perfect, but she is reassigned with Felton as her partner. Bolander convinces Munch to help him finish up an unsolved case. A new guy, Tim Bayliss, from the mayor's office gets his first case in homicide, the murder of an 11-year-old girl. His partner Pembleton, we find out, is less than enthusiastic to work with him or anyone else in the unit.

Bayliss and Pembleton continue to struggle with the Watson case. Bolander and Munch discuss ""iguana style"" and are called to check out the homicide of a victim that isn't dead, at least the first time they're called. While checking out some leads for the Watson case, Crosetti gives his theory on the conspiracy to kill Abraham Lincoln. Lewis wants to flood Memorial Stadium. Bolander expresses an interest in Dr. Blythe; Munch advises and sends flower's in Stan's name. Danvers needs a stronger

"Son of a Gun" is the third episode of the first season of the American police drama television series Homicide: Life on the Street. It originally aired on NBC in the United States on February 10, 1993. The teleplay was written by James Yoshimura based on a story by executive director Tom Fontana, and the episode was directed by Nick Gomez. In the episode, recurring character Officer Thormann is shot while on duty, and his close friend Crosetti takes the investigation personally. "Son of a Gun"

"A Shot in the Dark" is the fourth episode of the first season of the American police drama television series Homicide: Life on the Street. It originally aired on NBC in the United States on February 24, 1993. The teleplay was written Jorge Zamacona based on a story by executive director Tom Fontana, and the episode was directed by Bruce Paltrow. In the episode, Crosetti focuses his investigation into the shooting of Officer Thormann on one suspect, while Lewis continues to investigate.

Pembleton and Bayliss have only twelve hours to grill their prime suspect in the Adena Watson case before they must let him go.

"A Dog and Pony Show" is the sixth episode of the first season of the American police drama television series Homicide: Life on the Street. It originally aired on NBC in the United States on March 10, 1993. In the episode, Pembleton and Bayliss investigate the murder of a police dog, Crosetti helps his friend adjust after a serious injury, and Felton and Howard suspect a drug dealer for a brutal murder. The episode was written James Yoshimura based on a story by executive director Tom Fontana,

"And the Rockets Dead Glare" is the seventh episode of the first season of the American police drama television series Homicide: Life on the Street. It originally aired on NBC in the United States on March 17, 1993. In the episode, Howard testifies in a murder trial, Pembleton is offered a promotion, and Lewis and Crosetti go to the Chinese Embassy in Washington, D.C. to investigate a political refugee's murder. The teleplay was written by Jorge Zamacona based on a story by executive director

"Smoke Gets in Your Eyes" is the eighth episode of the first season of the American police drama television series Homicide: Life on the Street. It originally aired on NBC in the United States on March 24, 1993. In the episode, Howard and Bayliss attempt to quit smoking, Gee discovers secret asbestos removal in the squad room, and Munch and Bolander investigate the beating death of a 14-year-old boy. The teleplay was written by James Yoshimura based on a story by executive director Tom Fontana,

"Night of the Dead Living" is the ninth episode and first season finale of the American police drama television series Homicide: Life on the Street. It originally aired on NBC in the United States on March 31, 1993. In the episode, the homicide squad works the night shift on a summer evening, but no calls come in, leaving the detectives to brood over their personal matters. The teleplay was written by Frank Pugliese based on a story he wrote along with executive director Tom Fontana. It was