When young, he decided to study philosophy, but his true vocation pushed him to enter in 1947 the Institute of Cinematographic Investigations and experiences (Instituto de Investigaciones y Experiencias cinematográficas) in Madrid. In his youth he enrolled in the Blue Division to avoid his father's execution as a Republican politician. His debut as a film director in 1951 was with the film That Happy Couple in which he worked with Juan Antonio Bardem. With Bardem, he is considered to be one of Spanish film renovators after the Spanish civil war. Among his films stand out several unforgettable ones of Spanish film history, as Welcome Mr. Marshall! or The Executioner. He worked on seven occasions with screenwriter Rafael Azcona. Characteristic of his films are their sense of irony and the satires of different social and political situations. During the Franco dictatorship his ability to outwit the censors allowed him to make daring projects such as Miracles on Thursdays. In 1968, he was head of the jury at the 18th Berlin International Film Festival.

• ¡Bienvenido, Míster Marshall! (1953)

  
• Se vende un tranvía (1959)

  
• Tuset Street (1968)

  
• El verdugo (1963)

  
• Plácido (1961)