Set in the town of Scarborough, Detective Tom Nichols (Benicio del Toro) and his partner Dan Cleary (Ato Essandoh) investigate the murder of real-estate broker Summer Elswick (Matilda Lutz). As the two run-down possible suspects, including Summer's boyfriend Will Grady (Justin Timberlake), her ex-husband Sam Gifford (Karl Glusman), and a man with a grudge against the Gradys named Eli Phillips (Michael Pitt), the case goes from simple murder to something of larger scale implications.

Reptile is the feature film debut of music video director Grant Singer who also co-wrote the script alongside Benjamin Brewer and the film's star and executive producer Benicio Del Toro. Singer and Brewer wrote the initial draft of the film in 2018 when it was acquired by Black Label Media who'd previously worked with Del Toro on the Sicario films and upon showing it to him he became a huge proponent of the project. With a gritty noir story, an all-star cast, and an Autumn adjacent release date you can tell Netflix wants this to be their equivalent of Gone Baby Gone or Prisoners as that dark horse crime thriller that scores some Oscar nominations, and while it doesn't reach those heights unfortunately it's an ultimately decent detective thriller with a strong sense of style and some committed performances.

Despite being the debut feature of Grant Singer, he shows a strong grasp of filmmaking from a stylistic and technical sense with the film giving some solid shots that capture the environments in which Nichols investigates. With a predominantly suburban setting that often uses the states of various homes like McMansion Grady is trying to sell having signs of vermin infestation or a neglected swimming pool with stagnant water, you get the sense Singer is trying to capture that underlying sense of rot within these seemingly idyllic homes. While Tom Nichols isn't given the greatest depth as a protagonist, del Toro who serves as a co-writer on the film does add some humanity to the role, especially in regards to his relationship with his wife Judy played by Alicia Silverstone who takes what could've been an underwritten character and makes her more of a confidant who actually assists Tom on several occasions and the two have some solid chemistry together. Where the movie faulters for me unfortunately is in the mystery aspect of the film, especially in how it establishes its array of suspects only for us to switch gears at the one-hour mark where we begin another decidedly different investigation. The writing in the film while fine most of the time is perfectly fine (if not exceptional) but it does lead to some groan-worthy dialogue exchanges and a fake-out dream sequence that I didn't really care for.

For those who like dramatic procedural thrillers of this kind, you will find some good elements to appreciate here, especially in how it relate to the acting and visuals on display. The movie itself as a mystery I'm sorry to say fell somewhat flat for me despite seemingly having all the right pieces in play. A slight stumble out the gate for Grant Singer, but one that shows promise if given refinement.