A visual masterpiece, as expected from a photographer venturing into the world of films. Thought some scenes could've definitely been cut off, an engaging adaption of Okazaki's work nonetheless.
Did the director just wake up one day and decide, "I'm going to make a film with a plot thinner than 50 Shades of Grey, driven solely by extreme gore and gross factors?" Because that's it seemed like. (Cue: Mr. Choi fishing for things in his shit.)
are what I'm sure it is. But with a script devoid of dialogues and cinematography bordering on tedious, even Alain Delon's pretty face couldn't save this one.
Soooo, nobody's going to talk about Kim MinHee's affair with a married man 22 years her senoir (that seriously affected the reception of the home in Korea)? Okay.