Witchhammer (Czech: Kladivo na čarodějnice) is a 1970 Czechoslovak drama film directed by Otakar Vávra and starring Elo Romančík. Based on the novel Kladivo na čarodějnice by Václav Kaplický, Witchhammer relates the story of the Northern Moravia witch trials of the 1670s, focusing on the priest Kryštof Lautner, played by Romančík, who falls victim to the witchhunt after opposing the trials. The film contains possible allegory about Communist show trials in Czechoslovakia.

The film had a limited release in Czechoslovakia. Despite this, it won awards at the Mar del Plata International Film Festival in 1970 and is considered one of Vávra's finest films.

پیلانگێڕییەکی مەترسیدار بووە. هیستێریای جادووگەریی تەنها شۆڕشێکی ڕۆحیی/ئاینیی دژە "مێینەی شەڕانخواز" نەبوو، بەڵکو ململانێی دەسەڵات بوو بۆ هەوڵی مانەوە. بە واتایەکی تر هەڵمەتی لەناوبردنی ئەو ژنانەی بە پرسی جادووگەرییەوە تێوەگلابوون، هیچ نەبوو جگە لە ترس و تۆقین لەلای ئەرستۆکراتییەکان بۆ هێشتنەوەی پێگە و دەسەڵاتی خۆیان.
کەواتە سەرمایە لە خولقاندنی وەهمی ئەهریمەن و دەستبەسەرداگرتنی ئازادیی و مومتەلەکاتە مەعنەویی و مادییەکانی ئەوی ترەوە دێت. جێی باسە تەنها ژنەکان ڕووبەڕووی ئەم تۆمەت هەڵبەستنانە نەبوونەتەوە و زۆرێک لەو پیاوانەیش کە دەسەڵاتدارەکان وەک هەڕەشە بۆسەر پێگەکەکانیان ئەیانبینین، گیران و بەتۆمەتی جادووبازیی سووتێنران.

n the Realm of the Senses (French: L'Empire des sens, Japanese: 愛のコリーダ, Ai no korīda, "Corrida of Love") is a 1976 French-Japanese art film written and directed by Nagisa Oshima. It is a fictionalised and sexually explicit treatment of an incident from 1930s Japan, that of Sada Abe. It generated great controversy during its release; while intended for mainstream wide release, it contains scenes of unsimulated sexual activity between the actors (Tatsuya Fuji and Eiko Matsuda, among others).

ئابی سادا کە پێشووتر وەک سۆزانیی کاری کردووە، ئێستا وەک خزمەتکار کاردەکات. سادا دەکەوێتە نێو پەیوەندییەکی سۆزدارییانەوە لەگەڵ دامەزرێنەرەکەی (خاوەنکارەکەی).

سینەماتۆگرافیی وەها نایاب لە کەم فیلمدا دەبینرێت. فیلمێکی ئیرۆتیکیی درامییە و بۆ هەموو بینەرێک گونجاو نییە. جێی باسە فیلمە ژاپۆنییەکان هاوشێوەی فیلمە پۆڵەندییەکان هەمیشە جێی تێڕامان و بینینن.

On his second visit to the Dominican Republic, John Wilson, a land developer for a foreign company planning to build a hotel, leases a tropical island from the government, which - unbeknownst to him - carries a voodoo curse. He plans to go there to conduct a survey of the land. At night, he has sex in his hotel room with two prostitutes, whom he ends up scaring away by mentioning the name Cat Island. In the hall, he meets Fiona, a socialite who - as she tells him - has just left her elderly lover and his yacht. He performs cunnilingus on her.

Sea captain Larry O’Hara spends the same night on his skipper, having sex with Liz, the owner of the local nightclub. Just as they are about to leave, Liz spots a zombie walking in the shallow water of the port, his hand outstretched towards them. O’Hara kills him with a grappling iron. Later in the morgue, the doctor examines the maggot-ridden corpse, which suddenly grabs him, kills him with a gory bite in the neck, and walks away.

The next day, Wilson hires O’Hara to take him and Fiona for the trip to the island. O’Hara tells him about the legend surrounding the island, about zombies led by a cat. At night, in Liz’s empty nightclub, Liz gets on stage and dances for O’Hara, uncorking a bottle of champagne with her vagina. Wilson, in his room with Fiona, suddenly feels someone’s unseen presence. It is Luna’s, who sits on the island graveyard and establishes contact with him, scratching her hand until her green blood shows. At the nightclub, O’Hara spots a black cat, which hisses and leaves.

The group sails to the island the next day, where they are greeted by Luna and a shaman. They are warned to leave as the island is the reported home to zombies of dead natives. But Luna, who might be a ghost, takes a liking to Larry.

120 is a 2008 Turkish war film directed by Murat Saraçoğlu and Özhan Eren based on the true story of 120 children who died in 1915 carrying ammunition for the Battle of Sarikamish against the Russians during World War I. The film went on general release across Turkey on February 15, 2008 and is one of the highest grossing Turkish films of 2008.

Nefarious: Merchant of Souls is a 2011 American documentary film about modern human trafficking, specifically sexual slavery. Presented from a Christian worldview, Nefarious covers human trafficking in the United States, Western and Eastern Europe, and Southeast Asia, alternating interviews with re-enactments. Victims of trafficking talk about having been the objects of physical abuse and attempted murder. Several former prostitutes talk about their conversion to Christianity, escape from sexual oppression, and subsequent education or marriage. The film ends with the assertion that only Jesus can completely heal people from the horrors of sexual slavery.

Nefarious was written, directed, produced and narrated by Benjamin Nolot, founder and president of Exodus Cry, the film's distributor. Nolot, who travelled to 19 countries to collect the film's content, said that the purpose of the film is "to draw people's attention to the issue, but also to inspire them in terms of what they can be doing … to take a stand against this injustice." The film was officially released on July 27, 2011, with individual grassroots screenings also taking place. Laila Mickelwait, Exodus Cry's director of awareness and prevention, screened the film in several countries in an attempt to persuade governments to make laws similar to Sweden's Sex Purchase Act, which criminalizes the purchasing rather than the selling of sex. The film was released on home video on May 1, 2012.

Interviewees in the film include Canadian journalist Victor Malarek, Jerusalem Institute of Justice founder Calev Myers, Christian therapist Dan Allender, clinical psychologist Melissa Farley, Piet Keesman, Baptist missionary Lauran Bethell, Agape International Missions founder Don Brewster, anti-trafficking activist Helen Sworn, former prostitute Annie Lobert, and Swedish detective superintendent Kajsa Wahlberg. Ted Baehr of Movieguide, a Christian magazine, called the film "a powerful, compelling and transformational documentary about human trafficking and sex slavery" and commented that it covered the inherently sexual subject matter candidly without displaying nudity. Dan Preston of Godculture Magazine praised Nolot's writing and directing. Nefarious has won film awards, including the Honolulu Film Award for best screenplay, the Urban Mediamakers Film Festival best documentary feature award, and the Indie Fest feature documentary award of excellence.

سەرەتا دەچن بۆ (مۆڵدۆڤا) چونکە ناوجەرگەی قەیرانی بازرگانیی کردنە بە مرۆڤەوە. مۆڵدۆڤا ئەو وڵاتەیە کە (لە سەدا دە)ی دانیشتوانەکەی بەبازرگانیی کراون (وەک تاکێکی ڕاگوازراو یاخود بەکارهێنراون وەک بەندەی سێکشواڵیی).

ئەمە یەکێکە لەو دۆکیۆمێنتارییانەی پێویستە لە ژیانتا بۆ یەک جاریش بێت بیبینیت. دەربارەی بازرگانییکردن بە مرۆڤ و بەکارهێنانی مرۆڤەکان وە بەندەی سێکوشواڵیی، پیدەفیڵیا و دەستدرێژیکردن.

It tells the story of the British betting scandal of 1964, following which a number of British professional footballers were jailed and banned from football for life for conspiring to fix the results of matches. Prominent among those jailed and banned were the Sheffield Wednesday F.C. stars Peter Swan, Tony Kay and David Layne.

The part of Mike Gabbert – the Sunday People journalist who led the investigation into the scandal – was played by Steve Coogan. Jason Isaacs played the part of Tony Kay, through whose eyes the story is largely told, while the part of Jimmy Gauld – the ex-footballer who masterminded the betting ring – was played by Christopher Fulford.

The story centres on Gabbert building his exclusive during the latter stages of the 1962/63 season, a time when Kay is becoming known as one of the best players in the game, having joined Everton, with whom he wins the League title.

Although the film is based on fact, some details and characters were fictionalised.

Neither David Layne or Peter Swan were consulted in the making of this film.

لە شەستەکانی سەدەی ڕابردوودا، یاریزانە لێهاتووەکانی تۆپی پێی بەریتانیی دوابەدوای یەک یارییەکانیان لەدەست دەدا بەهۆی وەرگرتنی بەرتیلەوە.

12 Angry Men is a 1957 American courtroom drama film directed by Sidney Lumet, adapted from a teleplay of the same name by Reginald Rose. This courtroom drama tells the story of a jury of 12 men as they deliberate the conviction or acquittal of an 18-year old defendant on the basis of reasonable doubt, forcing the jurors to question their morals and values.

12 Angry Men explores many techniques of consensus-building and the difficulties encountered in the process among this group of men whose range of personalities adds to the intensity and conflict. It also explores the power one person has to elicit change. The jury members are identified only by number; no names are revealed until an exchange of dialogue at the very end. The film forces the characters and audience to evaluate their own self-image through observing the personality, experiences, and actions of the jurors. The film is also notable for its almost exclusive use of one set, where all but three minutes of the film takes place.

In 2007, the film was selected for the National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". The film was selected as the second-best courtroom drama ever by the American Film Institute during their AFI's 10 Top 10 list.

دوازدە پیاوی تووڕە دەکرێت دوازدە بیرۆکە و بۆچوونی تایبەتمەند و جیاوازی نێو سەری خۆت بن دەربارەی ڕووداوێکی دیاریکراو. لێرەدا هەمووشتەکان دەگۆڕێن کاتێک پێتدەڵێن: "تۆ سادیستی".

An Indian soldier is assigned to eliminate his former mentor and he must keep his wits about him if he is to be successful in his mission. When the two men collide, it results in a barrage of battles and bullets.

10x10 is a 2018 British-American thriller film directed by Suzi Ewing and starring Luke Evans and Kelly Reilly. It was written and produced by Noel Clarke, through his production company Unstoppable Entertainment. A man abducts a flower shop owner and holds her captive in a small, soundproof room in an effort to extract a dark secret from her past.